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I grew up reading comics that, if not explicitly intended for ren, were certainly aware by the nature of being a comic and by comics being easy to read that ren would form a large portion of their readership. This includes superhero comics as well as newspaper strips. Plenty of these works contain material that either went over my head at the time, or read differently to me now, but largely I was unbothered by the content. There’s also not a few manga explicitly labeled as being for adult readers as translated to English that were marketed to and enjoyed by young readers in Japan. For all the cultural differences, I understand and appreciate the intent to entertain behind these works. As an adult, I often read and enjoy work I would take no exception to much younger readers consuming, and not just because I believe in letting people read what they want – I acknowledge that I am often the interloper.

Two things. You mentioned before, about we, you and I, read books that were not aimed ats. That were definitely not fors. And I’ve written books like that. Troop 142 is a book that I published in 2011, and at the time it was maybe unclear to [the] readers I heard talk about it and to myself who the audience for that book was. I thought to myself that while I was writing with no audience in mind, I was writing in a pure way or something like that, but that’s not really true, because I’m writing in mind with someone like you and I, who I feel would enjoy that type of book. I’ve never written with no thought to the audience even though at one point I would have liked to think that I wasn’t. I wrote those earlier books with a thought to [who] I would like to read this, as a type of cartoon comic book fan, this type of comic book reader. I think it’s always something [that] I think about.