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Oil and Water is the eighth episode of the first season, and the eighth episode overall. Disowned heir Mel and her visiting mother trade combat tactics. Caitlyn and Vi forge an unlikely alliance. Jinx undergoes a startling change. We flash back to a scene from Mel's childhood. She stands amidst…

Disowned heir Mel and her visiting mother trade combat tactics.

Ambessa arrives in Piltover on a Noxian ship, accompanied by a host of soldiers. Mel and

Later, Silco, comes to his senses. He groggily examines Jinx’s operation table: the girl is gone, but the table is still covered in dirt and blood. He holds a scalpel to Singed’s neck, asking what he did to her. Singed replies that he saved her life.

He wakes up a short time later, only his hand having been transmuted. He sees that Sky has become a pile of dust on the ground, and is heartbroken. In addition, the hex core has taken on a fleshier, more organic appearance.

Viktor sits on the ledge overlooking the pool of water from his and Sky’s childhood. He scatters her ashes, saying he’s unsure where she would’ve preferred. He begins to walk away, but turns back, contemplating throwing himself from the edge. Jayce interrupts. He reminsces about their time in the Distinguished Innovators competition, lamenting that “everything made sense then.” Viktor pleads with Jayce to destroy the hex core, saying that he’s unable to do so himself. He ruminates on the terrible mistakes that the pair have made, saying that they need to make it right.

Jinx hurries to Silco’s side in tears, apologizing profusely. One final time, Silco promises he never would’ve betrayed her, telling her “you’re perfect” before he dies. Vi attempts to comfort Jinx, but she stops crying and becomes stoic. Slowly, she walks to the chair labeled “Jinx” and sits down. She explains to Vi that the two of them will never be able to love each other like they used to. Then, she takes the hex crystal and walks away.

When Stan Lee was asked whether he had ever thought about creating an Irish superhero, the one-time Captain America writer responded, “I don’t know how to make a superhero specifically Irish”. Indeed, while there are enough heroes clad in the stars and stripes, Union Jack, and maple leaf for political geographer Jason Dittmer to recognize nationalist superheroes as a “subgenre”, there have been comparatively few Irish-themed heroes. Nonetheless, superhero comics regularly feature Irish supporting characters, set adventures in Ireland, or expand their hero’s backstory to include Irish immigrant origins. However, these comics often perpetuate prejudices that stem, in part, from Victorian era efforts to undermine Irish Home Rule. This chapter will trace the Irish stereotypes that still pervade superhero stories in the hope of unmasking their origins and understanding why they circulate so freely. It will also demonstrate how the recent growth in Ireland’s comic book community is serving as a corrective to wider representations of the Irish in superhero comics.

Comics and Pop Culture: Adaptation from Panel to Frame

The Comics of Joe Sacco: Journalism in a Visual World, ed. Daniel Worden (University Press of Mississippi, 2015)

The Routledge Companion to Comics