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Ranking the best book-length comics ever created is a lot like picking out the greatest grains of sand on the beach: you’re bound to overlook some gems. But that’s the glory of graphic novels as a form, isn’t it? From North America to Europe to Japan, from superheroes to autobiography to pure poetry, from horror to comedy to drama, this medium is as varied and vital as anything else on Earth. And since it’s largely free from the commercial demands of billion-dollar mega-industries like film, TV, music, or video games, comics offer a creative freedom that’s all but unparalleled. It’s easy to fill your bookshelf with mind-expanding, paradigm-shifting work and still barely scratch the surface of what’s out there.

Michael DeForge, among the most talented and respected cartoonists of his generation, published one of the millennial cohort’s first genuinely great comics in

Comics-as-poetry has had its proponents for quite some time, particularly since the the dawn of the ’00s. The explosive shattering of time and space in Kevin Huizenga’s

Few collections of the work of comics’ masters make the case for their creators’ greatness as instantaneously and inarguably as this anthology of short stories from the godmother of

A veteran of the alternative-comics boom of the ’90s, French developed a pointillist pencil-art approach that gives her art the atmosphere of a half-remembered dream or a deleted scene from

The comic world has never produced a more brutal talent than Josh Simmons. The scatology, the sexuality, and the sheer nihilistic cruelty of his short horror comics make

One of the most influential superhero comics ever made, and unique among that number in being directed squarely and unashamedly at a readership of girls, Naoko Takeuchi’s multi-volume

What would you get if you combined the most pulse-pounding, propulsive action sequences superhero comics have ever produced with the brainiac esoteric compositions of an Aphex Twin or Oneohtrix Point Never? You’d get something like

Today, comics journalism is a burgeoning field, with cartoonists serving as reporters on the front lines of social protest and political crisis. For this alone we owe a vote of thanks to Joe Sacco, whose empathetic but unsparing works