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"Station Eleven," "Mare of Easttown," "Watchmen," and more best mini-series currently streaming on HBO Max.

. Bulletin – United States National Museum. Science. Fig. 115.- -Design from a bird-shaped VASE FROM Blue. line occurring on the soft red bowls (see fig. 125). (Blue, Arizona, Cat. No. 245646, U.S.N.M.) WHITE-LINE DESIGNS OF BLUE RIVER. The designs drawn in white lines on the red-brown bowls of upper Blue River form a unique series. But two specimens among the white-line pottery bear recog- nizable animal designs. One of these from a bowl (Cat. No. 245639, U.S.N.M.) is a most in- teresting convention of the moun- tain lion whose figure is reduced to straight lines and equal spacing. (Fig. 117.) The grouping of the feet as if in perspective and the convention of the head are note- worthy, and these parts are reduced to design units which would form the key to further elaborations of this motive in frets. Another bowl (Cat. No. 245553, U.S.N.M.) has a series of five conventional birds drawn in white encircling the exterior rim (fig. 118). The cus- tomary designs consist of run- ning frets of two or three lines alternately straight and waved (figs. 119, 120) or stepped (fig. 121) ; a running one-line maze (fig. 122) ; a terminating trape- zoid fret (snake) (fig. 123) ; a swastika fret with waved termi- nals in a trapezoid figure sur- rounded with a waved border (fig. 124) ; a key swastika maze in which the circumscribing lines enter forming interlocking keys (bird) (fig. 125) ; and a swastika with stepped terminals inclosed in trapezoid surrounded with a zigzag border (bird) (fig. 126).. Fig. 116.- -Design from a red bowl from Blue.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.. United States National Museum; Smithsonian Institution; United States. Dept. of the Interior. Washington : Smithsonian Institution Press, [etc. ]; for sale by the Supt. of Docs. , U. S. Govt Print. Off.

Cast members of the television series "Golden Girls," pose for a photo, clockwise from left, Bea Arthur, Rue McClanahan, Betty White and Estelle Getty

The Emmy-winning sitcom ran for seven seasons, amassing numerous accolades for White and the cast. The comedy series even spun-off a sequel of sorts:

Hulu is streaming all seven seasons of

For more Betty White content, you can

The couch is calling, inviting you in for a good long binge-watch. You crave a story that will sweep you up, characters who will captivate, and a runtime that will wash away more hours than your average movie but not an entire weekend. Nothing is better for such a mood than a superb mini-series.

The daughter of Anne Boleyn and Henry VIII, Elizabeth I of England was born into royally outrageous drama, which would define her whole life. This heralded 2005 mini-series focuses on the last 24 years of her 45-year reign, beginning as the so-called Virgin Queen approached middle age. Don’t be fooled by her nickname. This 16th-century monarch had a healthy appetite for sex and romance. But to marry—as her advisors pressure—would mean surrendering her throne to some man who would-be king. Dame Helen Mirren brings the fire of passion and fury to her vibrant portrayal of Elizabeth. Lending support as her leading men are the dashing Jeremy Irons and the dreamy-eyed Hugh Dancy. Under the helm of Tom Hooper, history comes alive in a sweeping two-part mini-series that won 9 Emmys. This included honors for Irons, Hooper, and Mirren as well as Best Mini-series. From its rich production design to its heart-pounding performances and rousing drama, it’s easy to see why.

In this 2019 superhero show, Damon Lindelof boldly re-imagines the iconic comic book series from Alan Moore and Dave Gibbons. Taking place decades after the events in the comics, this

HBO has a library of sensational true-crime offerings, yet this 2021 mini-series is uniquely fascinating. Directors Nick Cammilleri and Zackary Drucker unfurl the times and trials of Elizabeth Carmichael, who was not only a nationally recognized automobile executive and infamous con artist, but also a wife, mother, and transgender trailblazer. For decades, her story has been framed by those who despise her, resulting in a narrative rife with speculation and transphobia. In this challenging and boldly funny four-episode documentary mini-series, Carmichael’s story is reclaimed by balancing the perspective of her haters with in-depth interviews with those who knew her best. With animated photography, a playful soundtrack, and a cheeky sense of adventure,

From the moment Matthew McConaughey and Woody Harrelson were cast as a duo of detectives on the hunt for an elusive killer, this 2014 show screamed “prestige TV.” Shortly after its debut, this neo-noir mini-series had audiences screaming too, hollering in horror of the unnerving visuals, cheering over its immersive cinematography, and yarn-walling over how it might end. Heralded filmmaker Cary Joji Fukunaga helmed the entire premiere season with aplomb, creating a rich world of Southern-fried intrigue, blood-curdling violence, and mind-bending philosophy. Critics cheered. Audiences tuned in, and the Primetime Emmys presented five awards to this daring drama. Sure, all that success led to writer Nic Pizzolatto spinning new stories for successive seasons. But it all began as one damn fine mini-series.