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As Batgirl, Barbara Gordon has been described as one of the most popular characters to appear during the Silver Age of Comic Books. She also became a pop culture icon due to her appearances in the

Barbara Gordon and alter ego Batgirl debuted in Detective Comics #359 (cover-dated 1967, although the comic was actually released in late 1966) as the daughter of Gotham City’s Police Commissioner

Following the comic book debut of Barbara Gordon, Yvonne Craig also promoted the comic book incarnation of her character. The actress was featured in photo shoots reading her “favorite comic of all time,” “The Million Dollar Debut of Batgirl.” While actress Yvonne Craig as Batgirl appeared every week in the new season of Batman, DC Comics featured Batgirl on several covers of Detective Comics, often overshadowing Batman and Robin in order to promote the new heroine. On the cover of Detective Comics #369, Batgirl argues with Batman over whose sidekick Robin should be.

Batgirl became a lighthearted departure from the tortured characters of Batman and Robin, each depicted as fighting crime to avenge the death of their parents. Gordon’s motivation for crime fighting was written as being completely altruistic and, unlike Batwoman and Bat-Girl, independent of a male superhero. In her civilian identity, Dr. Barbara Gordon Ph.D. is not only depicted as an independent woman with a doctorate in library science, she is head of Gotham City public library; “presumably one of the largest public libraries in the DC Comics version of reality.” The character’s civilian career as a library professional, coupled with her alter-ego as a crime-fighter is considered to be symbolic of the women’s empowerment movement of the 1960s.

During the early eighties, Batman editors sporadically put Batgirl into retirement; the character resumed her role for special cases. In 1988, Alan Moore discussed writing The Killing Joke with editor Len Wein, and the two agreed that Barbara Gordon, currently in retirement, was disposable enough for the character’s career to come to a permanent end. Although events in The Killing Joke exert a great impact on the character, the story has little to do with Gordon. She is deployed as a plot device to cement the Joker’s vendetta against Commissioner Gordon and Batman. Critical reception of The Killing Joke has been mixed — while some commentators have been appalled by the treatment of Barbara Gordon, others have regarded The Killing Joke as one of the greatest Batman stories of all time.

Despite Moore’s writing, Valerie D’Orazio, a former editor at Acclaim Comics and DC Comics has denounced the book, citing “It doesn’t take the perspective of a woman into account. It doesn’t take into account that some women might be so very disgusted with the book [and] what happens to Barbara Gordon in it.” In response, Laura Hudson, Senior editor of Comic Foundry Magazine comments, “You’re supposed to be disgusted with what happens to Barbara Gordon…because it’s disgusting…As a woman and as an adult, I can deal with fictional characters performing reprehensible acts towards women… When they’re used not gratuitously but for a purpose, as I believe they were in The Killing Joke, that’s exactly what they’re supposed to do.”

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