Learning the hard way yejin lim
A novel Texture Transformer Network for Image Super-Resolution (TTSR), in which the LR and Ref images are formulated as queries and keys in a transformer, respectively, which achieves significant improvements over state-of-the-art approaches on both quantitative and qualitative evaluations. We study on image super-resolution (SR), which aims to recover realistic textures from a low-resolution (LR) image. Recent progress has been made by taking high-resolution images as references (Ref), so that relevant textures can be transferred to LR images. However, existing SR approaches neglect to use attention mechanisms to transfer high-resolution (HR) textures from Ref images, which limits these approaches in challenging cases. In this paper, we propose a novel Texture Transformer Network for Image Super-Resolution (TTSR), in which the LR and Ref images are formulated as queries and keys in a transformer, respectively. TTSR consists of four closely-related modules optimized for image generation tasks, including a learnable texture extractor by DNN, a relevance embedding module, a hard-attention module for texture transfer, and a soft-attention module for texture synthesis. Such a design encourages joint feature learning across LR and Ref images, in which deep feature correspondences can be discovered by attention, and thus accurate texture features can be transferred. The proposed texture transformer can be further stacked in a cross-scale way, which enables texture recovery from different levels (e.g., from 1x to 4x magnification). Extensive experiments show that TTSR achieves significant improvements over state-of-the-art approaches on both quantitative and qualitative evaluations.
Bullied ruthlessly by girls in high school, Jinhoo’s done his best to put his past as a complete loser behind him. However, one day, he finds out that his newest tutee is his ex-bully, Yejin! Despite flunking the college entrance exam twice, Yejin’s only interested in her dildo and is adamant that she doesn’t need a tutor. However, as she starts to torture Jinhoo as per usual, Yejin realizes that there are some things that Jinhoo can teach her…but they’re going to have to find out the hard way.
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Opening in Spring 2002 with Deok-Hoon bumping into Joo In-Ah on the subway, next they’re at a coffee shop, where he reminisces about missing his chance to ask her out back when they worked together, and speculating with his male coworkers about whether she wore a bra or not (as one does). Discovering a shared love of football, specifically the rivals Real Madrid (him) and FC Barcelona (her; expect many ensuing football/relationship metaphors in the movie), soon they’re having drinks, then sex at her place.
Not that she can’t or shouldn’t mind you. Rather, it’s how secretive she is about it that is the problem, never answering her phone; it’s only when he eventually, desperately confronts her at her apartment after one such session that it seems to click. Only slightly drunk and still impeccably dressed, you sense maybe she is only testing him when she retorts that she was sleeping with someone. Either way, he leaves her.
Or perhaps I’m just projecting? Either way, frankly, if I wasn’t already committed to a review, I would have stopped watching at that point, for the same reasons I turn off most Korean dramas within 10 minutes: it’s difficult to be sympathetic to — or interested in — a character you constantly want to grab by the shoulders and just shake some damn sense into.
Yet, for a time, the trio — well, technically two duos — does seem to work, providing one takeaway message that
2) We’ll just have to agree to disagree about whether presenting the movie from the man’s or the woman’s perspective is the more natural. Either way, I’m sure it would have been quite possible to present both, and that surely female viewers in particular would have preferred much more of the woman’s perspective. What did your partner think of it?
The message in this movie seems to be. 1: It’s okay to cheat on your wife/husband. 2: It’s okay live a double life tricking two families. (The family of the second husband was left to believe that the child was their family by blood.) 3: It’s okay to run away with a child without telling the father. 4: It’s okay to run away from the mess you created yourself. 5: If you follow 1-4 you will have a happy ending with two husbands.
The movie is labelled as comedy and romance but I felt neither was present in this movie. It was not funny neither did I feel any love between the leads. If it’s considered love to be selfish and wanting everything your way not considering your partners feelings at all then this movie is full of love. My take on love is different though – The Classic and A Moment To Remember (in which Ye-jin Son stars) portray love much much better than this movie. It’s a shame that she decided to star in this film because each time I remember one of the above-mentioned movies I’ll always remember this film also and be put in a bad mood.
“I always try to learn because I don’t know how to do it. I try to act plainly because I want to look pure. Acting that should be calculated or technologically expressed by expressing emotions as I feel may be lacking. It seems that the viewers watching that part with a grain of salt as it expresses emotions as it is.”
