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Howdy fellow anime lovers! We are bringing you all the details of the latest One Piece episode today. One Piece Episode 953 release date is 6th December 2020. This article will contain the release thread of the brand new episode and even a recap of the previous chapter. Without further ado, let’s get started!
The One Piece anime is currently running every week and a new episode is released every Sunday. Similarly, Episode 953 will be released on
If you want to watch the One Piece anime as soon as it is released, Crunchyroll is the best option. Other official streaming sites are also there but they will take some time to stream the episode online.
Right now there are no updates for One Piece Episode 953 spoilers. But we will surely update you once we get our hands-on spoilers!
This is all we know about the new episode. We will get back to you with more updates and spoilers about the One Piece Episode 953. Till then stay tuned on Omnitos. Also, check about the latest chapter on
The bulk of this episode revolves around the return of Sugar, Doflamingo’s child-formed henchman who was previously responsible for turning large chunks of Dressrosa’s population into living toys and forcing them to be forgotten by their loved ones. Luffy and Law are merely feet away from their rematch with Doflamingo, but one more drawn out conflict awaits them as Sugar tries to turn the two of them into toys using her Devil Fruit powers.
Usopp’s been through some tough times in the Dressrosa arc, so this episode’s primary purpose is to finally give him a big win moment. He was the one who beat Sugar earlier on, kicking off all the chaos seen in the country to this moment, but it was a pathetic victory that kind of happened on accident. This time, Usopp successfully snipes Sugar, firing a “doll” of sorts that mimics the terrifying face he made earlier that shocked Sugar into unconsciousness to begin with. It’s a win, but kind of a joke of a win that repeats a gag that was funnier the first time.
One connection that’s been left up in the air for fans is that Sanji’s late mother Sora shares a name with the marine hero from the famous comic book series that we were introduced to at the beginning of the arc, the one where Germa 66 and the Vinsmokes were the villains. The implication as far as I can tell is that the comic was loosely based on true events, and the real marine hero was a woman who fell in love with and married her supposed enemy. The Sora we meet through Sanji’s flashbacks has only ever been depicted as a victim of Judge’s thirst for power, but if we were to eventually learn about a more hopeful beat between points A and C, that would feel like an incredibly Oda move.
We have spent an inordinate amount of time going back to the past and dwelling on the terrible things that have happened to Sanji, probably giving them much more screen time than some of the longer flashbacks of the series. There is new information here, but we probably spend even more time recapping the parts of the story we already know again. The ending of this episode re-re-tells the story of Sanji’s escape, only now in the form of a montage set to the pretty Luffy vs. Sanji music, almost like saying “look how far we’ve come!” less than halfway through an arc that’s bound to be at least 80 episodes long. It doesn’t help that this is also one of those episodes fumbling over itself to stay on-model. And then, as a cherry on top of the whole messy sundae, all the girls’ boobs are inexplicably drawn bigger than usual.
The more we get into the weird stuff involving the Vinsmokes, their genetics, and the relationship between Judge and Sora, the more the story risks just becoming gross. There’s lots of talk of vague science magic, pregnancy, dead moms and so on. There’s a distinct balance you need to strike where the show doesn’t lose that easy-to-digest fantastical quality but also fleshes out the Vinsmokes compellingly. Reiju seems content knowing that her family will die at the wedding, believing the whole country of Germa was just one big painful mistake, and urges Sanji to just up and leave so that their mother’s one good kid can survive. Once again, a really important plot point in this conversation, one that would tie the episode together, is left out so that they can waste more time padding.