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Taken at face value, though, the plot threads entwine well enough. Maybe I’m picking up on it a little more as I’ve just worked my way through all these films. I imagine the sense of deja vu will be greatly diminished for anyone coming to this film some time apart from the two mentioned. The effects have been very well handled, with a slight improvement over the previous film being noticeable. The score feels like an action adventure style Godzilla score, although there isn’t much menace in Godilla’s theme. It’s a bit too romantic in it’s dramatic tone to be threatening.

I’ve been on some serious nostalgia trips this past year. Nightbreed last week, various films from my youth along with a near complete run through of the Godzilla films. On top of that I’ve been digging up loads of random cult films such as Slugs and Kung Fu Cannibals. It looks like this nostalgia train isn’t stopping just yet though. And I don’t even mean with today’s review. My Christmas film is all lined up for next week too and that’s another piece of fried childhood gold. Another piece of such precious metal of my youth is the subject of today’s review. Spurred on by that, quite frankly, ridiculously good trailer for next year’s instalment, I am going back to where it all started with the original Mad Max. Click the link below for my review.

But this isn’t just a reference for cartoonists. Tumey thinks that we could all use a little screwball in our lives. “Most humor these days has an undertone of irony and cynicism,” he says. “One of the things I love about the humor in these comics is it’s not ironic, it’s just silly for being silly’s sake. The undercurrent of screwball comics is a sense that the world is absurd, that things will fall apart. These comics are tributes to the second law of thermodynamics, which is that things fall apart eventually.” So if everything’s falling to chaos and ruination, you might as well have a good laugh about it.

It’s true that these old strips require a kind of learning curve. They read as more than a little stilted in modern times — partly a consequence of outdated language and partly a difference in the way comics portrayed time and action over a hundred years. But Tumey is a great and observational guide who will hold your hand and contextualize each of the works. He also, presumably, selected some of the most accessible work from this bygone era for modern audiences to enjoy.

Comics have always been a disposable art form. They were thrown out with the newspaper, and children read them and re-read them until they fell apart. With