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A common problem for cape comics is what is best termed an out-of-proportion amount of sexualized art. It probably has its roots in superheroes as a power fantasy for boys, and it follows logically, if a bit sadly, that women would be portrayed as the ideal sexual partner, rather than an objectively idealized character. Whatever the reason, we're mired in crappy sexualization. And the problem isn't just what that means for women, but what it means for the craft and quality of the comic. Imagery that prizes sexualization above all else — especially when that doesn't make sense for the story — can pull you out of the moment and stop your reading experience dead.

A common problem for cape comics is what is best termed an out-of-proportion amount of sexualized art. It probably has its roots in superheroes as a power fantasy for boys, and it follows logically, if a bit sadly, that women would be portrayed as the ideal sexual partner, rather than an objectively idealized character…\n

A casual nude scene between lovers Scandal and Knockout in Villains United features the two naked women sharing a bed post-coitus.

I was glad for the inclusion of a couple of overtly queer comics here (newsflash: it is always good to have queer content integrated into anthologies – queer art doesn’t always have to be quarantined into its own safe spaces). Both stories get pretty sexy. In a hypnotic, lushly drawn wordless piece by artist Hanada, two lovely giant nude women wander about, towering over buildings, streams and mountains, and generally love each other up. That might sound overly twee or hackneyed, but at one point one of them gets something stuck in her foot and a good-sized gusher of red, red blood comes pouring out. The other girl licks it lovingly, adding a nice, almost gothic moment to the piece. Hanada features a simple six-panel grid on each page, but it took me a while to get that the panels are meant to be read in columns: the ones on the left top to bottom, then those on the right.

Sneddon said that Marvel had been making “great strides this year in making their comics appeal more to women readers”, pointing to titles including Ms Marvel and Storm, “all featuring women with a great reception from comic fans, including many new readers”. Ms Marvel, she said, went through six printings just to keep up with the demand for the new character Kamala Khan.

“But while diversity on the page has improved, diversity behind the pens really hasn’t,” said Sneddon. “There still just aren’t enough women breaking into the superhero comics industry, and covers like these help illustrate why – they put up a very big ‘no women welcome’ sign, which puts off not only women readers, but the many women creators working on a great variety of other comics.”